Joanna Wakefield

One of the fundamental aspects of my work is the human and zoomorphic form. There is a quirky, sometimes humorous element to my sculptural pieces which is often based on strong movement and shapes. Their rough austerity is also distinctive. I like to construct pieces and push them to their limits thus coaxing them into unusual structures. With a long-standing fascination of myth and spirituality, I create combinations of animal and human forms, echoing the shamanistic traditions of ancient cultures.
My work identifies with ancient treasures, their heritage and myths. I feel we are living in an age where science defies religion and there is a loss of spiritual direction. From this has emerged research of the spirit explores the nature of strength in physical way and questions where our strength come from. Is it our physique, muscular, appearance, or our soul, constitution or spirit? I ask what makes one person a survivor and another not? These sculptures are strong in style, yet aim to show the essence of spirit from a sense of quietness, simplicity and wholesome shape. In most instances they are smoke-fired emphasizing softness of curves of the human and animal figures. They offer a luminosity represented by a smooth, often simple surface and display composure offering self control, dignity, strength and clarity as well as emanating fertility, and vigor. I try to offer a complexity of balance and composition.

The horse is frequently represented in my work. The horse to me is a symbol of great strength and beauty and independence and I like to combine this with quirkiness and humour. I feel when I make these animals that they take on character as they are being formed.

Ideas often come from the subconscious mind, which often unknowingly, taps into past memories. It is often not until the work is produced that I understand why I made it and then the reason becomes extremely clear.